Yet more knitted blankets …

Our house is full of knitted blankets – we really do not need any more!Nevertheless, over the past few years we’ve made several more, two more of them this last winter. They are all quite different in construction and size, but they still a pleasure to use on these wintry days …That’s Ilsa,-  cosily settled on the ruched throw I’ve recently completed …This is a really lovely pattern which you will find knitted in more muted single-colour tones on Ravelry here. I loved knitting it – and so did the cats, cuddling up with me as I beavered away on wintry nights …And it used up some (not all!) of my stash of handspun yarns …

It’s such a simple pattern, all knit in garter stitch.  The striped part of this blanket is doubled in stitches when it comes to the plain dark knit – thus giving a ruched effect.  I crocheted round the entire blanket several times to tidy the edges of my rather raggedy homespun …We all love this light little throw – perhaps the cats most of all. Indeed, there’s a possessive look to their presence here which is perhaps a little worrying …I really like knitting small blanket/throws. A year or so back, I knitted a green-toned one.  This was an adaptation of a pattern I found on Ravelry here. The Scrappy Lengthwise Scarf uses slip stitch  to make a scarf, but this pattern adapts very nicely to making a blanket.Such an convincing woven effect!While I wove all the ends in, Anne Wheaton used this pattern to great effect to make a fringed blanket. I stuck to habit and crocheted round my blanket …My only critcism is that slip stitches are very easy to catch!Definitely this winter’s pièce de résistance is the blanket we made of Stephen’s machine-knitted swatches …We’ve written before of Stephen’s machine-knitting designs and another blanket we have made from our knitted swatches.

This blanket started with me crocheting round the edges of his swatches and ironing them flat …Then they are laid out as we struggle to work out which pieces will fit where ..Not easy when Stephen has knit each piece to a different size! (Eggy doesn’t help either …)

Then there’s a long time while I stitch them together and we both get very fed up with the pieces lying on our sittingroom floor.  Finally the blanket goes into the washing machine for a light wash (to get rid of all that smelly machine-knitting oil), and out it goes to blow gently in the balmy Northumbrian breezes …The designer checks it out …It has an occasional home in our new (old) caravan. It doesn’t just look cosy, it really makes sleeping in there very cosy indeed …So it was well worth the effort.  But can I face next basketful of swatches?! Perhaps next winter …While I’m left contemplating the next knitted swatch blanket, I’ll hand you over to Stephen for him to explain the whys and wherefores of some of his patterns:

Inspiration for my patterns come from all over the place, from 60s op art to designs found in the built environment.
Several years ago we stayed for a few days in Ripon and explored the ruined abbeys of North Yorkshire. We found little surviving of Byland Abbey above ground level, but came across many medieval floor tiles still in situ, including this one.
I first designed a pattern to replicate it in knitted Shetland wool:
I then developed it to a second pattern adding a bit more interest
This is still very close to the original pattern. But my third pattern is much more developed, and it is quite hard to pick out the underlying original pattern:
The next pattern was designed and knitted in response to the Manchester Arena bombing. The bee is the symbol of the city, and both Katherine and I joined others all over the country showing our solidarity with the city in this terrible time by making small bee-patterned items. K made a padded heart, and I made this bee swatch to wrap it in.
The next pattern  is one I designed myself, and knitted in tuck stich – this was actually a tension swatch I used for scarves I knitted for my daughters last Christmas. The fascinating thing about tuck stich, where the wool is caught of the needle but not knitted, is that it distorts the pattern, with straight lines ending up slightly curved. In extreme forms of tuck stitch, when several rows of wool are not knitted, the tensions in the knitting make the fabric buckle and pucker in rather unpredictable ways.Finally, a pattern based on a very simple quadrant motif treated in several different ways.  Here the motif is put together in opposite pairs, and between the left and right side as shown the colours were reversed. Very effective, particularly when framed by Katherine’s crocheted border.
I used this pattern to knit several large panels for covers for our sofas. For these I also used another element that I like using in my designs, that of pure randomness. The width of each coloured band, and its colour was selected at random, using a simple computer program. Which version do you prefer, black quadrants on coloured stripes?
Or coloured quadrants on a black backgroud?
Food patterns for thought, hopefully!


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