Ellie’s Blanket

Guest Editor Stephen:

I was in my early thirties when I first got interested in machine knitting, and having obtained a machine, used it to knit garments mainly for my two youngest daughters. The only garment left from this time is this child’s lace top knitted in cotton:
1-childs-cotton-topWhen, we moved to Devon about 5 years after I had knitted this, I continued to use the machine, but focused on knitting whole panels which were sewn up into blankets. I am more interested in the patterning possibilities of the machine than constructing garments.

Here are two blankets from that time that we still use on our bed:
2-old-blanketsThe left-hand one is all my own work; the other was put together by Katherine from her hand-knitted and my machine-knitted samples and test swatches. When we tried to put this blanket on display at a craft show in Devon there was much debate about whether it should be included as some on the selection committee did not consider my pieces ‘craft’! Eventually it was displayed, thrown over a beam high up at the back of the room.

I also knitted a blanket in black and white for my stepson. It recently returned to us for repair and washing when he moved house.
3-black-white-blanketThese 3 panels show off some of the inspirational ideas I use for my design.
The top one is mathematically based on Sine Curves with alternating wavelengths. The all-black portions are where the waves overlap.
The middle one is based on stitches whose colour is chosen at random. The chances of a stitch being black gradually changes from 11/12 at the left to 1/12 on the right.
The bottom one is influenced by Op Art, in particular the work of the British artist Bridget Riley.

This photo is from the time I made this blanket and shows my holding the punchcard for the sine curves. Like all punchcards for this machine it has a width of 24 stitches, but can be as long as you like. The ends are clipped together and so it operates as a continuous loop.3a-stephen-with-punchcardIn September last year my daughter Ellie got married in Cornwall – and asked me if I could knit her a new blanket. There’s a challenge – but happy to oblige for this late wedding present. The themes I thought I would use were the sea and dogs – she and her husband Jak have a dog called Bailey who is somewhat spoiled.

Here are some of our collection of cones of wool, including some monofilament glitter to add to the mix, from which K put together a palette of colours for the blanket. The machine will knit fair isle – ie two colours in one row. And I got designing –
4-cones-of-wool– and setting up the knitting machine. It is a similar model to the one I had all those years ago. When we moved to Northumberland 6 years ago I got rid of all my old equipment, but have since been re-acquiring it.

Just as Cornwall is bounded on the east and west by the sea, so my blanket is framed by patterns based on waves. Each wave pattern uses Sine Curves such as this which are stacked up, and given a sideways shift.6-sine-curve

Sine curve

Here is the punchcard for this design:
7-cornish-waves-1-punchcardwhich gives this when knitted up:
5-cornish-waves-1aIndeed, it gives an optical illusion when viewed from a certain angle, that the fabric is not flat but undulating:8-cornish-waves-1bThe second wave design is similar, but the stitches between the wave forms have been chosen at random, gradually tailing off until the next wave to given a broken effect, almost like breaking waves.9-cornish-waves-2aIn addition I broke up the pattern by having a completely random section across the panel after every third complete sine wave. That occurs at either end of this pattern’s punchcard:
10-cornish-waves-2-punchcardAgain, from the right angle, the fabric no longer appears flat:
11-cornish-waves-2bAnd so to dogs! This was a real labour of love as I have no great fondness for dogs and find it very difficult to be in a room with a dog. But I put together two dog-themed panels to go next to the waves.

The first used 4 different dog motifs from a book by Wendy Phillips, along with some doggy words:12-doggie-punchcardsI alternated each pair of dogs with one of the word motifs. I also had a common background, white, for the whole panel, and added the diagonal stripes to tie it all together.13-joined-dog-panelI particularly like the Dalmatian design. Notice how I have had to put the letters of the words stepping down so that I didn’t have a single float for the row underneath the words across the whole panel.

The other dog-themed panel is based on a print by one of my favourite artists, MC Escher:14-escher-dogsThis design has always fascinated me as to how it works with its tessellating dogs pointing in two different directions. It took me a long time, and many failed attempts, until I came up with this punchcard:
15-escher-dogs-punchcard-1And this is what results when it is knitted:16-escher-dog-knitThe central panel is specially for my daughter and her husband with a motif of their initials, J & E, intertwined. I placed this in tessellating hexagons, alternating with a star motif.17-hexagonThis is the punchcard I created:18-je-punchcardYou can see the initials quite clearly. You may notice that the hexagons on the punchcard are somewhat elongated. This is because, when designing patterns for the machine, you have to take into account the fact that each row is roughly half as high as the width of a stitch – ie to knit a square with a width of 100 stitches, you would have to knit 200 rows. An added complication.

Here is part of the end result:19-je-panel1What’s gone wrong here? In fact the punchcard snagged on the edge of the machine and jammed for about 16 rows until I noticed – hence the elongated legs on the star!

Now, with all five panels knitted, in total about 560,000 stitches, that is 5 panels of 140 stitches, each with 800 rows, they could be sewn up. Katherine did the bulk of this but I did one of the them:20-s-sewing3But our cats, Eggy and Ilsa, sometimes were not very helpful:21-je-eggyBut we managed, and then Katherine crocheted all around the edge several times to give a weighty edge to the blanket and to tie all the colours together. I have tried to do this, but somehow I just cannot master this task that she makes look so easy:22-k-crochetAgain, the cats thought they had a found a wonderfully warm place to sleep – and things ground to a halt:23-cats-not-helpingBut eventually all was completed. Then Katherine very lightly washed the blanket using a machine wool wash to get any wax or oil out of the wools, and we hung it outside to dry:24-drying-in-windHere it is laid out on the lawn. You can clearly see all the designs, and Katherine’s crocheted edge tying it all together:25-whole-rug-on-lawnAnd so we sent it off to Cornwall to the happily married couple,  about 13 months after their wedding. Here is one happy recipient along with Bailey – Enjoy this blanket made for you all with love:26-happy-ellie

The technical stuff:

In case you are wondering how I construct my designs here is a brief explanation:

Once I have worked out my design, I write a computer program to convert it into the stich pattern I need. I do this using a program called BASIC, which I first learnt over 35 years ago. I use a freeware version of this program called Just Basic or JBASIC, which you can download at: http://www.justbasic.com

At present I am working on a Christmas-themed design called Blizzard. It consists of overlayered snowflakes, the size, orientation and position of each snowflake being chosen at random. Here is the program I wrote:27-programWhen I run this, it generates possible patterns to use. When I find one that is particularly interesting I can then print it out. It comes out like this, 24 stitches wide and repeating every 108 rows:28-printoutThis is then transcribed onto a piece of punchcard cut from a long roll, and punched out to give the following:
29-blizzard-punchcardBut what will the resulting knitted pattern look like? Watch this space!

 

 

 

 

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