Last weekend we had a very kind offer of cat-sitting so leapt at the opportunity to head off to unexplored places. As it was snowy and icy, we decided the best thing was to travel by train, and settled on Glasgow, a city that we’d only visited briefly on a day visit last summer.
The streets in Glasgow had been gritted and cleared of snow, but not so the pavements which were icy and treacherous …But walking up to the glorious Kelvingrove Museum in bright sunshine, that didn’t seem to matter …How the sunshine transformed the great hall …Opened in 1901, the Kelvingrove Art Gallery and Museum is such an extraordinary statement of ostentatious Glasgow prosperity – with an organ, no less, in that Great Hall! It was comfortably busy and bustling when we visited – lots of children, visitors of all nationalities, people waiting for the organ recital (which was splendid, and I wish I could play it for you here) …I love the detailed craftsmanship on show in the museum itself – aren’t these brass door handles very fine?Just as much as I love the modern jostling with the old. The hanging heads are part of an installation by Sophy Cave of Event Communications …I wish all museums were as upfront about their display policies …There was lots and lots of tempting things to see, but what I most wanted to look at was:This is a very big year for Charles Rennie Mackintosh admirers because it is the 150th anniversary of his birth – and lots of big events are being planned, including a major exhibition at the Kelvingrove Museum itself opening in March, and the re-opening of his refurbished Willow Tearooms.
Another exhibition planned – much smaller but of considerable interest to me and my friends – is the Association of Guilds of Weavers, Spinners and Dyers National Exhibition in July at Strathclyde University. This will celebrate its presence in Glasgow on this particular centenary with an exhibition of Guild members handmade jewellery in the style of Mackintosh. “Jewellery can be of any textile nature, for example, they could be spun, dyed, felted, knitted, crocheted, tatted, woven, braided – whatever shows the creativity of the entrant.”
What an exciting challenge!
So here I was to look at the exhibits in a particular way: to see how I could re-interpret Mackintosh’s work in a piece of jewellery.
I had to be careful first of all not to be led astray by some of the gorgeous exhibits by other Glaswegians. We were both immediately struck by this very beautiful wall panel from the Argyle Street tearooms, dated 1898-99. But this was in fact made by George Walton & Co. A pity – this is truly inspirational!And this fine washstand with those characteristic Mackintosh long lines (look at the side panels) is in fact by John Ednie c.1900. We spent ages looking at it because according to the information tab it was made of oak, glass, metal, marble, ceramic and leather. Blowed if we could see any leather! Must be inside the drawers, we decided …So where was the Mackintosh in all this gorgeousness? There was a chair, of course – and very intriguingly displayed next to others of the period. It’s the centrepiece here – designed for the Ingram tea rooms …And it was in the Chinese Room from the Ingram Street tearooms, designed by Mackintosh in 1911 that I found my best inspiration …Two things particularly struck me – first the little pagoda light … And secondly this Chinese key panel which was carved over the doorway of Mackintosh tearoom … those square curls … Lots to think about – I’ll keep you posted …Intriguingly we found upstairs among the historic Scottish exhibits pattern work very similar to that of Mackintosh and his Glasgow style compatriots. Look at these curved axe-heads and the long lines of this bronze dagger. They are part of the Gavel Moss hoard found at Lochwinnoch and dated 2000-1400 BC …This Thistle brooch is 10th century Viking work, but could happily sit downstairs with Mackintosh and his fellow Glasgow artists of the 19th/20th century …The snow plough was out gritting the streets of Glasgow on Saturday night – which made us chuckle – no sign of snow on the streets anywhere! But we laughed a little less on the Sunday as we set out on an icy grey snowy walk up to St Mungo Museum of Religious Life and Art. It was cold – and there was more snow …We were well wrapped up …I was wearing all my handmade, homespun, woolly knits (even sporting my handknitted felted handbag), so I was toasty! But Stephen disdains my lovingly-knit creations, saying they’re too scratchy. Well, who looks most cosy here?!Lots of fascinating items covering the breadth of religious faith and worship in the St Mungo museum, but I was struck by two pictures – and intrigued by my reason for liking these two very different pictures.
This 1992 Aboriginal painting titled Kangaroo Wild Cabbage, Ceremonial Spear, Possum and Bush Carrot Dreaming is by Paddy Japaljarri Stewart, Paddy Japaljarri Sims, Bessie Nakamarri Sims and Pansy Nakamarra Stewart, Warlpirri People, Yuendumu. It tells the story of the Dreamtime travels of some of their many spiritual ancestors. I struggle a bit to understand this picture as such – this is all so different to my culture, I guess. But what I really love are the colours and the patterns …And it is pattern which draws me to this picture too. It’s called The Sabbath Candles and is by Dora Holzhandler. What a pattern fest – pattern everywhere!By now the snow was coming down hard – a beautiful snow globe view of Glasgow Cathedral and over to the Necropolis …But we had a colourful treat for the end of our Glasgow trip – just time to drop into my favourite shop here: Paperchase! Now if this colourfest isn’t sustaining in the snowy grey, I don’t know what it is. And – on that note – time to go home …